Working at the opposite end of the spectrum to Baz Luhrmann, Ireland’s John Carney seems content to make low-key, localized musicals that are almost custom-sized for Sundance. True, some fingers we…
, with edgier humor — unusually dark jokes of the kind that pepper the films of John Michael McDonagh — and a slightly more serious subplot than we’ve seen before, involving Dublin’s underprivileged underclass. The not-so-good news is the film doesn’t really advance the formula much and could almost be, hitting the same notes but with more disappointing songs, tapping into Carney’s by now familiar belief in the redemptive properties of music .
It soon transpires that Flora, not Max, is going to be the film’s pet project, and after a little bit of amateur research on the web she finds herself an online guitar teacher. Jack, played byin a well-deserved switch up from juvenile leads, lives in California and charges $20 an hour for lessons. He’s slick, and his sunlit work room is full of the somewhat bland trappings of the professional muso, but underneath the cheery exterior is a reformed addict whose creative dreams have died.
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