Since the mid-1990s, when Kate Winslet first dared act in movies while housing her inner consciousness and internal organs within an incredibly beautiful body, headlines have declared her “brave” for doing so. Winslet, blessedly, for her part, has generally remained chill about living in a human shell, expressing longstanding irritation at using airbrushing in ongoing attempts to make her body appear thinner; proclaimed her own, natural pubes good enough for The Reader; and most recently, saying that scenes which showed her stomach in Mare of Easttown were fine as is and did not need whittling down to what executives reasoned was a more audience-pleasing size.\n
were fine as is and did not need whittling down to what executives reasoned was a more audience-pleasing size.However, the conversation around this tendency of Kate Winslet’s to declare that audiences and filmmakers get the body they get when choosing her for a project often borders on cruelty, while ostensibly extolling her bravery. Take, for example, today’s piece inopener“Kate Winslet has always had guts.
While the sentiment of the piece is that once again Winslet has used the reality of her body to authentically portray a character, this time one in her mid-forties, to great effect, this is a conversation that has been ongoing since she was 18. Kate Winslet is not some sad, haggard old lady with whom all of us normies might commiserate as we hobble toward the scary old age of 47. Kate Winslet is gorgeous and a great actor who has made quite a few truly exceptional films and television series.
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