Don Cheadle and Benicio Del Toro play crooks in 1954 Detroit involved in a document theft that grows increasingly tricky in Steven Soderbergh’s nimble neo-noir.
playing to his strengths as a buoyant storyteller with a taste for intricate plotting, sardonic humor and crackerjack ensemble work.
Double-crosses and side deals stack up one on top of another to create rippling complications in a three-man job as the hired hands try to figure out who they’re working for and flip the deal to their advantage. There’s luxuriant intoxication in the jazzy rhythms and sumptuous visuals of thisEchoes also are discernible of Soderbergh’s
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