'Station Eleven' Executive Producer Nate Matteson on Working With Hiro Murai and the Surrealness of the HBO Max Adaptation

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'Station Eleven' Executive Producer Nate Matteson on Working With Hiro Murai and the Surrealness of the HBO Max Adaptation
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'Station Eleven' executive producer Nate Matteson discusses working with director Hiro Murai and the surreal experience of making the HBO Max show.

The HBO Max miniseries Station Eleven, adapted from the book by Emily St. John Mandel, follows the lives of those who have survived a devastating event: a flu epidemic that directly contributes to the collapse of civilization as they know it.

NATE MATTESON: Well, yeah, Hiro and I have been working together since 2012 from like an artist and manager relationship. And then we started our company together at top of 2019. I connected Hiro and Patrick [Somerville] for some meetings and chats, I think late 2018. And I don't want to take credit, necessarily, because Patrick obviously was very aware of what Hiro was doing and proactively was trying to find a way to work with him, you know? So I was on the receiving end of calls.

MATTESON: Hiro kind of characterized those flashes of Year 20 as like a rogue radio station breaking into the story of 2020, you know, Year Zero. And we were also just prepping the product and still trying to figure out a little bit of what the language would be of what we called, what Patrick was calling in the scripts, time drifts. Because we knew that the project was going to really play over obviously over the course of many, many years.

Talking about the before and the after, there are ways in which the production of the show kind of mimicked our own reality that I don't think were initially anticipated. I know there was a period where you all had to shut down for a while and you were still all working on the show during lockdown. When I spoke to Patrick and Jessica [Rhoades], they said there was this surreal feeling of everyone being back and that it almost felt that they were in the world of the show.

Our original intention obviously was to shut down. We had already had a planned stop down. We wanted to cut Episodes 1 and 3 and learn something from the post-production process before moving into getting back and going in the Chicago area, in what would've been probably like late April, May of 2020. And of course, that didn't happen. So when it all got back and up on its feet outside of Toronto, I actually didn't join the production. I was here in LA.

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