The Netflix hit comes back with its second arc this month, and a third and final season on the way.
) and its director Hwang Dong-hyuk. Hwang, who also created the show, took some time to develop the rest of the vision foras the first season was inspired by the Korean financial crisis, and the continued social economical unrest in the wake of a global pandemic served as the basis of, Hwang discussed how the global events that have transpired since the series became a hit really brought out more of the discourse he explored in his original concept.
Hwang described how recent political events spurned by the pandemic’s aftermath factored into the allegory of the Squid Game—and how a new level of judgment in the form of votes among the participants in season two mirrors cancel culture.
In season two, we’ll be getting a more rounded view of everyone trapped in the system put in place by those at the top running the games. “In season one, I used the cop who infiltrated the game, Hwang Jun-ho, as a way to introduce the life of the workers there,” Hwang said. “This time around, you can see a sneak peek into the lives of the soldiers and managers and how they came to be who they are.
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