“We sat on folding chairs in a circle and went through the script together,' says SpiderManNoWayHome director Jon Watts. 'It was like a Spider-Man therapy session.”
that he wasn’t tense or nervous on the first day of shooting. Instead, “I had a deep feeling of gratitude.”
Watts directed two previous “Spider-Man” films and “No Way Home” picks up immediately after the end of the previous edition, with the public freaking out as Peter Parker is identified as Spider-Man’s alter-ego. “You always have challenges when making a VFX-heavy movie,” Watts says. “This one also involved everything you take for granted — and made everything 10 times more difficult.”Sony-Marvel’s “Spider-Man,” produced by Amy Pascal and Kevin Feige, offers terrific setpieces and memorable small-scale moments.
“We sat on folding chairs in a circle and went through the script together. I had talked to everyone separately, but to have everyone together to talk about the story, how the pieces fit together and what Spider-Man meant to them — that was exciting for me. We had the only three actors to ever play Spider-Man in a film, and each had been through so much, on and off screen. It was like a Spider-Man therapy session.
“I’ve always taken my greatest fear and made that central to the thematics of the films,” he says. “‘Homecoming’ is about a kid who gets a huge opportunity and is so afraid he’ll miss his chance, that he creates a disaster. That was my fear: ‘What if I screw the whole thing up?’ ‘Far From Home’ is about being afraid to make a second movie and screwing things up. Peter Parker is given a mission and he doesn’t want to take a risk.
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