REVIEW: “‘Spider-Man: Across the Spider-Verse’ is pure nirvana not just for superhero fans but animation nuts — the fluidity and sheer panache of the visuals in virtually every frame of the movie is mind-blowing.”
sets its story into motion proper and begins to live up to its name. It’s safe to say that, as in the first movie, Miles will cross paths with other Spider-heroes, including his old mentor Peter B. Parker .
This time, though, he’ll encounter hundreds of different variations of webslingers, ranging from an East Indian Spidey from an alt-future “Mumbhattan” to a British-anarchist Spidey complete with spirit-of-’76 liberty spikes. Gunslinger Spideys, dinosaur Spideys, blue-collar Spideys, proud-dad Spideys, and several who are more spider than man pass through the frame. Several live-action cameos will likely cause squeals of delight from audience members who aren’t even card-carrying Spider-heads. And, given the fact that writer-producers Chris Miller and Phil Lord are once again on board, well… don’t be surprised if a brand-name toy variation of the superhero shows up, too. The whole notion of multiverses has become a bit of a franchise get-out-jail-free card of late, with superhero series using the chin-stroking concept of competing timelines as a way to bring back beloved characters and/or actors, lazily service needy fans, reverse death, hit the reset button — basically, using it to make absolutely nothing count whatsoever. Multiverses can be an excuse.creative team figured out from the jump. The trio of directors , along with Lord, Miller and their co-writer Dave Callaham, treat it as an anything-goes open permit, switching formats at will and flexing their imagination to the fullest. Thankfully, they don’t sacrifice little things like story and narrative logic in the name of an Easter-Eggs-mentality; there are in-jokes galore, but you don’t need to be in on the references to follow what’s going on. And, as with the first movie,is pure nirvana not just for superhero fans but animation nuts — the fluidity and sheer panache of the visuals in virtually every frame of the movie is mind-blowing.
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