Plus: get ready for the weekend with these fresh diversions.
, investigates music from outside the English-speaking world and has devoted its inaugural season to city pop. Like many music genres, it’s not easy to define. It emerged in Japan in the mid-’70s, with musicians rejecting traditional Japanese music to embrace the smooth sounds of Western funk, disco, jazz fusion, yacht rock and soft rock.
The genre fell out of favour in the ’80s, but then something strange happened. In the 2010s – mainly thanks to crate-diggers, anime soundtracks and YouTube algorithms – city pop enjoyed a second wave of popularity much bigger than the first. Anthems, such as Mariya Takeuchi’s, were rediscovered and revered.
Gideon Haigh has long had what he calls an “unreasonable aversion” to autobiographical writings. “The sentimental gush of life tales. The sickly sweetness of memoir. The humblebraggart columnists who festoon newspapers. Autofiction – kill me now.” If that summary of what he doesn’t like is as compelling to you as it was to me, then will be right up your alley.
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