Small Steps, Giant Leaps: Bill Ingalls on Capturing NASA's Legacy Through Photography

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Small Steps, Giant Leaps: Bill Ingalls on Capturing NASA's Legacy Through Photography
NASAPhotographyBill Ingalls
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Bill Ingalls, senior photographer for NASA Headquarters, shares his decades-long journey behind the lens, documenting everything from rocket launches to presidential meetings. He discusses the importance of preparation, teamwork, and visual storytelling in capturing NASA's most iconic moments. He also touches on the role of AI in photography and the challenges and rewards of working in a dynamic field.

Welcome to Small Steps, Giant Leaps, the podcast from NASA ’s Academy of Program/Project and Engineering Leadership or APPEL. In each episode, we dive into the lessons learned and experiences of the people behind NASA ’s innovative missions and research. Capturing NASA ’s most iconic moments takes more than just a good camera. It takes experience, timing and a sharp eye. There are teams of talented photographers all across the agency.

Bill Ingalls, senior photographer for NASA Headquarters in Washington has spent decades behind the lens documenting everything from rocket launches to meetings with presidents. Bill is here to share with us his journey into photography, how AI can be a valuable tool if used correctly, and the importance of visual storytelling to get the message out.Host: Yeah, I went to a small university outside of Pittsburgh. It was Waynesburg College back then, it’s now Waynesburg University. And I was struggling with what I wanted to do with my life as an adult, and my father, who I give great credit to, said, “You should do what you want to do what you find interesting, because you’ll be very good at it if you have a passion for it. However, I do encourage you to get a college degree to support that.” So, in college, I went ahead and pursued visual communications, which encompassed television and photography and graphic arts at the same time, I took a lot of English classes because I felt I needed to make up for being a little bit of a wild child in my earlier years, and before I knew it, ended up with a second degree in English. So, I ended up graduating with a visual communications degree in English. There was an alumni weekend, as many colleges have, and one of the alum ran the then-called Broadcast and Imaging Branch at NASA Headquarters, and he offered the school to have an internship one summer in his office. And I thought that would be a great idea. I was very intimidated by it, though. I learned about two or three other others in my college that were competing. Our college made us compete for internships, which I thought was kind of cool, and I knew the caliber of the people I was up against, so I didn’t think I really had a chance, just because their writing skills were so good. But I stuck it out. And before I knew it, my counselor brought me in and said, “Well, congratulations, you’ve got the internship.” And I said, “How is that possible? I mean, thank you.” But he said, “Well, there might be a lesson to be learned here. Everyone was so intimidated by this internship that everyone dropped out. But you, you just stuck it out. You’re off to NASA for the summer.” Yeah. So, just to add to that, it’s again, it was a great lesson in that. But as far as getting into photography itself, I had a dear friend that was really into photography and had his own dark room and I had never done any dark room photography before, even though my grandfather was very serious about photography and made a side living doing it as well. But my first day in his dark room, not knowing anything about how it worked, he had a box of paper that you print on, which is light sensitive, of course, and of course, in broad daylight, I opened the box and said, “What do you do with these?” And he said, “Nothing now. You throw them in the trash because you just ruined sheets of paper.” Okay, lesson learned! My entire career has been things like that, where I’ve learned the hard way.You cover a lot of different assignments. Is there such thing as a typical day for a NASA photographer?That’s a good question. I think if you ask that question of all photographers, even just across NASA, you would get quite a different set of answers on what they do day to day. In my office here in Washington, DC, I’m very blessed to have a talented team that – well we all wear multiple hats. We’re not just photographers. I’m a supervisor of the team and a photographer, senior photographer, and then I’ve got, you know, on our team, photo archivist-slash-photographer, photo editor-slash-photographer, photo researcher slash photographer. And so everyone has multiple hats, but when you talk about the photography side of things itself, there’s a lot of prep that goes into our assignments when we have the opportunity to do the prep, which very often we do, actually, and that can involve learning about the mission, recovering, sitting in a mini NASA meetings to just be aware of who the key players are, what the goal of the mission is, the timeline of everything. Then we start to prep our gear that we’ll be needing for that, thinking about that. Perhaps if there’s travel involved, working logistics, customs issues, and then, of course, there’s all the metadata that goes along with our imagery. And that is preparing captions, finding out names and titles of people that will be involve

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