The Shin Godzilla co-director talks about working with Hideaki Anno, his tokusatsu memories, and why Ultraman is finally finding an audience across the world.
came out, it was a situation in that universe where that was their first time experiencing a kaiju. And so the government response to the kaiju ofShin Ultraman
comes out, it has evolved; their departments have evolved to regularly deal with kaiju that have been attacking Japan. And so in the process, the SSSP department was developed and [inio9: You’ve worked in and out of the movie effects industry and animation for decades now. What lessons did you ultimately take from directing a film likeThis is a very hard question to answer because at first I was like, “I really didn’t learn anything.
As far as my long career is concerned, there are [times] where you run into [problems], where, like, “How do we figure this situation out?” And it’s like, “Oh, we do it this way.” And so that type of troubleshooting of the things that could go wrong on set, that happen regularly, [is something that I’m used to].
title. I’m actually more interested in doing something that is original. That is my dream, to come up with something original myself.included, still has a huge ongoing legacy on Japanese TV. What do you think tokusatsu needs to do to thrive in the world of cinema in this age of superhero blockbusters we find ourselves in?When the movies, the original tokusatsu were coming out, the studios like Toei and Toho were mainly crewed by young staffers.
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