'September 5' Review - Terror From a Newsroom Distance

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'September 5' Review - Terror From a Newsroom Distance
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Peter Sarsgaard as Roone Arledge in September 5

September 5 is a movie that has arrived at an interesting time. We’ve seen films depict the 1972 Munich Olympics hostage crisis before, most notably Steven Spielberg's Munich. However, for obvious reasons, the timing of September 5's release makes it stand out more than if it were released three years ago. It’s inevitably risky for any piece of media to depict or discuss the Israeli-Palestinian conflict.

&#x2715 Remove Ads Fehlbaum makes sure we don’t actually see the carnage happening. Instead we only hear about it through dialogue and other newscasts, which helps hammer the movie’s message home even more. September 5 takes place entirely within the ABC Sports newsroom. At the heart of the film is the idea that the media will often use real-life tragedies and human lives for their gain and how they force themselves to desensitize their immediate reaction to violence.

&#x2715 Remove Ads Sarsgaard and Magaro are able to accurately convey the uncertainty of Arledge and Mason, two newsmen who have spent their careers covering sports, not violent conflicts. As Arledge battles the executives, Mason scrambles to make sure that his team reports only the facts, which makes their inevitable slip-up of falsely reporting that some of the athletes had been rescued feel like a punch in the gut.

&#x2715 Remove Ads While the movie's apolitical stance at times feels detrimental to its emotional impact, the themes about the media's apathy do provide some truly chilling moments. It's not that September 5 is an angry movie — it isn't. It's well aware that the team at ABC Sports revolutionized the news industry. But it also portrays them as morally gray.

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