Selective Outrage Struggles to Escape Its Own Gimmick

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Selective Outrage Struggles to Escape Its Own Gimmick
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Chris Rock’s live comedy special wants to be electric, but Netflix’s first attempt at the form fails to meet its own moment.

have been — the potential excitement of live reactions from the audience, of Rock’s performative vivacity, of commentary about a shocking pop-cultural event layered on top of the new-to-Netflix live streaming element. What if something went wrong onstage? What if an audience member did something disruptive? On paper, it all seems thrilling and possibly combustible.

No one could be blamed for missing that element of it, or any of the other places where Rock attempts to carve out more interesting versions of stale setups. For one, jokes that feel like they come from everywhere at once are always going to run exactly that risk: A listening ear hears a stock topic and then tunes out rather than leans in.

Yet the biggest and most frustrating misstep is the direction of the special itself. Director Joel Gallen’s credits include numerous live award shows, and that was the visual language he brought to Rock’s performance. Cameras are locked to Rock’s face and tracking along with his body as he strode back and forth on the stage, blocking out all sense of scale and any energy from the audience, despite the audience-reaction shots peppered throughout.

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