Cult artist and head of Bernadette Corporation, Bernadette Van-Huy, discusses her new solo show, Filler Stuff, at New York City's Svetlana gallery.
comes across as relatively minimalist. Where are you in this iteration of your life as an artist?
Anyway, this became the premise of the show—myself, the work, as filler stuff, filling a time slot. And this led me to think of the ways we conceive of ourselves in time, such as our narrative of order to disorder because of a crisis or conflict—change, then back to order again—that organizes so many of our stories, movies, and musical compositions.
Part of the pleasure of these panels is that one can fill almost anything into these plot points of crisis, change, resolution—and we humans will still get sucked into the story, and actually feel and experience from it.
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