A Haunting in Venice releases September 15th.
Summary SCREENRANT VIDEO OF THE DAY SCROLL TO CONTINUE WITH CONTENT Hollywood Records’ composer-centric docuseries The Big Score is back with a new episode diving into the music of A Haunting in Venice. The Big Score sheds a light on the often-overlooked world of film scoring, featuring interviews with top-tier composers tied to exciting new releases. Other projects and composers featured on the docuseries include Flamin’ Hot’s Marcelo Zarvos and The Boston Strangler’s Siddhartha Khosla.
A Haunting in Venice is director and star Kenneth Branagh’s third adaptation of a classic mystery by genre-defining author Agatha Christie. Reviews have cited A Haunting in Venice as the darkest of Branagh’s adaptation; it makes sense, then, that he turned to experimental composer Hildur Guðnadóttir. Screen Rant is excited to offer a first look at The Big Score’s latest episode, which dives into Guðnadóttir’s work on A Haunting in Venice.
Why Hildur Guðnadóttir Is Perfect For A Haunting In Venice A Haunting in Venice is an adaptation of Agatha Christie’s 1969 novel “The Hallowe’en Party”, and the story’s spooky, scary subject matter makes Guðnadóttir’s musical pedigree a perfect fit for the film adaptation.
Of course, Guðnadóttir’s resume also speaks for itself. The composer has won Grammy and Academy Awards for her tension-filled and evocative scores for Chernobyl and Joker, and contributed equally effective scores for the high-profile films Women Talking and Tár. Hildur Guðnadóttir’s appearance on The Big Score is not just a glimpse into her work on A Haunting in Venice, but a look at how one of the most exciting and interesting modern film composers operates.
The Big Score is available in video format on YouTube and in audio format on digital platforms. A Haunting in Venicereleases in theaters on September 15th.
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