The Serbian director's new film, which screens in Sarajevo on Saturday, looks at the (failed) student protests against Slobodan Milošević in 1996.
Sarajevo Film Festival Cancels All Screenings for Bosnia and Herzegovina Day of Mourning Following Triple Murder-Suicide
“My mother was also part of the Milošević government, though she was in the culture department, so not a spokeswoman,” says Perišić, “but I had this same experience as Stefan as a child, growing up in a political home [and] experiencing this conflict of double loyalty, between the loyalty you have to your parents, and a loyalty to some kind of inner moral imperative. All the politics of Serbian nationalism is based on family loyalty, this idea of belonging, by blood, to a group.
Perišić spent nine months rehearing with the first-time actor before the first day of shooting. “It wasn’t really a rehearsal. I didn’t let him read the script. I was just asking him questions, like ‘what do you do when you quarrel with your mother?’ and filming that,” he says. “When we came to shoot, I filmed in order, chronologically, and treated the material as if I were shooting a documentary.
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