The director and co-writer revealed that the movie — an inversion of the 'Black Panther' son-father plot — would see Boseman's T'Challa grappling with losing five years of time with his son and incorporate animation.
“That was the challenge. It was absolutely nothing like what we made,” Coogler said. “It was going to be a father-son story from the perspective of a father, because the first movie had been a father-son story from the perspective of the sons.”love interest Nakia during an end credits scene in. But Coogler says audiences would have been introduced to him way earlier, with the film relying on animation to help fill in the narrative gaps.
“The first scene was an animated sequence. You hear Nakia talking to Toussaint. She says, ‘Tell me what you know about your father.’ You realize that he doesn’t know his dad was the Black Panther. He’s never met him, and Nakia is remarried to a Haitian dude,” Coogler explains. “Then, we cut to reality and it’s the night that everybody comes back from the Blip. You see T’Challa meet the kid for the first time.
But fans would not have just learned about Toussaint earlier. They would have also experienced the narrative through his eyes, along with a three-year time jump that sees T’Challa co-parenting. “We had some crazy scenes in there for Chad, man,” Coogler said, reflecting. “Our code name for the movie was ‘Summer Break,’ and the movie was about a summer that the kid spends with his dad. For his eighth birthday, they do a ritual where they go out into the bush and have to live off the land. But something happens and T’Challa has to go save the world with his son on his hip. That was the movie.
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