Review: 'Mr. Topaze,' Peter Sellers' directing debut, emerges from the star's vault

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Review: 'Mr. Topaze,' Peter Sellers' directing debut, emerges from the star's vault
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After his 1961 directorial debut 'I Like Money' bombed with audiences, Peter Sellers pulled the film from circulation; now it's back as 'Mr. Topaze.'

Is “directorial debut” the right term for an actor stepping behind the camera for the first time if said film is ultimately just a one-off, and not the start of a new track of artistic note, à la the careers of Ida Lupino, Clint Eastwood and Jordan Peele? Would “directorial toe dip” be more precise?, whose versatile performance mastery gave his star turns an authorial tinge even when the director was a Stanley Kubrick or Blake Edwards, it’s perhaps surprising he didn’t go the way of...

But he gave it a shot once, when his movie career was achieving real lift-off — after U.K. hits “I’m Alright Jack” and “The Mouse That Roared” but before the iconic twofer of Clouseau and Strangelove. The tale of an upstanding provincial French schoolteacher corrupted by money, “Mr. Topaze” was, even in 1961, the umpteenth film version of1928 morality play.

But when Sellers’ low-key “Mr. Topaze” and its portrait of curdled honesty went nowhere with audiences, it effectively disappeared — physically and figuratively — into the ego-bruised artist’s personal vault, eventually left to languish in the British Film Institute archive after his death.

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