Review: ‘& Juliet’ Imagines a Life After Romeo—Helped by Britney

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Review: ‘& Juliet’ Imagines a Life After Romeo—Helped by Britney
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“& Juliet” is one of the nominess for Best Musical at the Tony Awards on Sunday. TonyAwards Do you want to know more about it? Check out our review:

bone in his body happily tweaked. The story felt flimsy and confusing, the singing fine but not wowing—but the delighted applause and whoops around him made it apparent others were buying intoThe pop songs you know—including “Since U Been Gone,” “I Kissed a Girl,” and “Everybody ”—are plugged, sometimes cleverly, sometimes, into the evolution of the musical’s double-headed plot.

The musical proposes it is not just history that has disregarded Anne, but Shakespeare himself. She tries to take over the direction and writing of the play, and observes the unfolding action with him. So, will Juliet find happiness and personal liberation, and can the Shakespeares find creative fulfillment, mutual respect, and rediscovered love? The musical veers clankily between taking these questions very seriously indeed, and yawning at them like-totally-over-it.

Her friend May , a non-binary character whose big song is “I’m Not a Girl, Not Yet a Woman,” features the performer singing “I’m not a girl” repeatedly—a plaintive negation that is not elaborated on in the character themselves. May is also given a romance storyline with François lacking in any chemistry. It’s great, and overdue, to feature diverse characters on stage—and strong messages around identity are stitched into this script.

Juliet also kinda likes François, and so a love triangle forms, but never really sparks into life. His dad Lance is supposed to be a gruff, macho tyrant, but he and Juliet’s nurse Angélique share a connection and chemistry, and so his desire that François be a “real man” dissipates when he realizes that lurve is lurve. Waddyaknow, the big guy is really a pussycat, who just wants to dance.

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