'George & Tammy' is a cautionary love story with good songs
,” a.k.a. “Stand by the Jams,” Wynette’s collaboration with British art-dance group the KLF. And so he does , if with a bit of a superior attitude.
Given that, it may be best to regard the whole thing as fiction, which it inescapably is. It’s a scripted narrative pulled from actual events; variously reliable, at times conflicting first- and second-hand testimony; and recorded evidence, colored with invented conversation, all selected and arranged to provide a powerful narrative. Even the songs seem to arrive just to underscore a dramatic point, like a jukebox musical.
The series’ length is an advantage — it allows for longer scenes, more subtle development and world-building, as opposed to a theatrical biopic where an entire life is often crammed into a couple hours. At the same time, it may be a little too long, given the repeated relapses and reunions — enough already, you may come to feel — and once Tammy is on to her fourth husband, manager George Richey , and hooked on painkillers, the story loses steam.
Toxic males abound, not only second husband Don Chapel , a songwriter and wannabe recording artist, sullen and pushy, and enabling, opportunistic, obsessed fourth husband and manager Richey but also the doctors who botched her hysterectomy, leading to a life of pain, and the doctors who prescribed her stronger and stronger painkillers.
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