Steven Schick, Alexander Ishov and Liam Wooding were hypnotic in “For Philip Guston”
In our short-attention-span society, the act of sitting in a concert hall for 247 minutes to hear a single piece of instrumental music may be one of the most radical activities possible. About two dozen audience members accepted that challenge Wednesday afternoon in Conrad Prebys Concert Hall on the UC San Diego campus.
Motives reappear over the course of the work, but are they the same pitches as before? The same rhythms? The same instrumentation? One is never really sure. Feldman’s music is very soft and slow, the harmonies chromatic, capable of suggesting tonality or atonality. It’s a delicate balancing act, but Feldman made it work.
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