Review: A dazzingly danced 'Like Water for Chocolate' proves story ballet is bigger than ever

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Review: A dazzingly danced 'Like Water for Chocolate' proves story ballet is bigger than ever
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American Ballet Theatre presents the North American premiere of the full-length story ballet based on Laura Esquivel's novel 'Like Water for Chocolate.'

In the aftermath of World War II, in a changed world, story ballet seemed to have little future as a credible art form in which a narrative evening-length ballet could be created to a lasting new score. Prokofiev’s “Cinderella,” which had its premiere in November 1945 at the Bolshoi Theatre in Moscow, was the last new major story ballet to enter the repertory.

But choreographer Christopher Wheeldon and composer Joby Talbot have been making brand-new, large-scale story ballet once again a popular sensation. Beginning with their hit “Alice’s Adventures in Wonderland” by the Royal Ballet in 2011, the team followed up with “The Winter’s Tale” three years later. Last June, the Royal Ballet unveiled their latest collaboration: “Like Water for Chocolate,” a co-production with American Ballet Theatre.

Talbot’s score features elements of traditional Mexican dance and song, as does Wheeldon’s choreography, gloriously so in big numbers. The guitar and ocarina join the orchestra — the Pacific Symphony, conducted by David LaMarche, replacing de la Parra, who couldn’t travel because of an ear infection.But for all the efforts at authenticity, this is little more than the fact that ballet loves locale.

In the end, it is show business that wins out, as when Catherine Hurlin’s Gertrudis, Tita’s sister who joins the Revolution, leaps with exuberant lyrical abandon. Hee Seo has a more thankless task as Tita’s less-lively sister Rosaura, who marries Pedro, but she readily wins our sympathy. Tita weds the affable Dr. John Brown while continuing to carry a flame for Pedro. We’re meant to side with true love; Cory Stearns’ appealing portrayal as John makes that no sure thing.

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