Richard Perry, a legendary record producer who worked with a diverse range of artists, including Carly Simon, Rod Stewart, and Ringo Starr, has passed away at the age of 82. Known for his ability to match the right song with the right artist, Perry's career spanned decades and produced numerous chart-topping hits.
Richard Perry , a hitmaking record producer with a flair for both standards and contemporary sounds whose many successes included Carly Simon 's 'You're So Vain,' Rod Stewart 's 'The Great American Songbook' series and a Ringo Starr album featuring all four Beatles, died Tuesday. He was 82. Perry, a recipient of a Grammys Trustee Award in 2015, died at a Los Angeles hospital after suffering cardiac arrest, friend Daphna Kastner said.
'He maximized his time here,' said Kastner, who called him a 'father friend' and said he was godfather to her son. 'He was generous, fun, sweet and made the world a better place. The world is a little less sweeter without him here. But it's a little bit sweeter in heaven.' Perry was a onetime drummer, oboist and doo-wop singer who proved at home with a wide variety of musical styles, the rare producer to have No. 1 hits on the pop, R&B, dance and country charts. He was on hand for Harry Nilsson's 'Without You' and The Pointer Sisters' 'I'm So Excited,' Tiny Tim's novelty smash 'Tiptoe Through the Tulips' and the Willie Nelson-Julio Iglesias lounge standard 'To All the Girls I've Loved Before.' Perry was widely known as a 'musician's producer,' treating artists like peers rather than vehicles for his own tastes. Singers turned to him whether trying to update their sound (Barbra Streisand), set back the clock (Stewart), revive their career (Fats Domino) or fulfill early promise (Leo Sayer). 'Richard had a knack for matching the right song to the right artist,' Streisand wrote in her 2023 memoir, 'My Name is Barbra.' Perry's life was a story, in part, of famous friends and the right places. He was backstage for 1950s performances by Little Richard and Chuck Berry, sat in the third row at the 1967 Monterey Pop Festival during Otis Redding's memorable set and attended a recording session for the Rolling Stones' classic 'Let It Bleed' album. A given week might find him dining one night with Paul and Linda McCartney, and Mick and Bianca Jagger the nex
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