This article explores and ranks the endings of all nine feature films directed by Quentin Tarantino, known for his unique style that includes references to classic films, profanity-laden dialogue, and graphic violence.
Quentin Tarantino is known for several distinct trademarks in his filmmaking. He frequently references classic films, packs his screenplays with profanity, and isn't shy about depicting ultraviolence. These elements, along with others, contribute to his unique style that either captivates audiences or leaves them indifferent. To date, Tarantino has directed nine feature films, though some consider Kill Bill to be two separate films, bringing the total to ten.
This article ranks the endings of all his films, starting with the great and culminating in the greatest. Be warned, this article contains spoilers for every Quentin Tarantino movie.One film that suffers slightly from a less impactful ending is 'Django Unchained' (2012). While the film boasts a spectacularly bloody and memorable shootout about halfway through, the final sequence feels somewhat underwhelming in comparison. Django achieves his goals, the villains are defeated, and the plantation is blown up, but the catharsis feels somewhat muted after the earlier action.'The Hateful Eight' (2015) takes a different approach. Set in a confined location, the film slowly builds tension over its three-hour runtime. A group of shady characters are trapped together, and the eventual bloodshed, while predictable, is still thrilling to watch. The film features memorable performances from Samuel L. Jackson and Walton Goggins as morally ambiguous characters who ultimately cooperate to take down the bigger threats. The ending sees them bonding over a shared letter, confessing their pasts, and facing their likely demise. 'Reservoir Dogs' (1992), Tarantino's debut feature, showcases his signature style. It's a heist film that cleverly avoids showing the heist itself, focusing instead on the aftermath. The ending mirrors 'The Hateful Eight' in that multiple characters find themselves confined to a single location, revealing truths and engaging in a deadly shootout. However, the tragedy of Mr. White realizing Mr. Orange is an undercover cop adds a layer of pathos to the otherwise violent conclusion
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