It has some fabulous works, from a canal by Constable to a gnarled old tree by Tacita Dean, but this show’s radical v conservative thesis gets caught in the brambles – and the climate section is catastrophic
. What did he ever do except go out in the fields and paint? For that apparently harmless pursuit, it seems Tate Liverpool cannot forgive him. Its attempt to define a “radical” British landscape art keeps kicking Constable as a convenient shorthand for the “conservative” landscape tradition it rejects..
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