The orchestra played all around this capacious venue, exploring space and sound in works including a premiere composed in lockdown by Thomas Adès
was the soloist, prefacing her meticulous performance of Kurtág’s spare but intricate piano writing with the first movement of Beethoven’s Moonlight Sonata, Op 27 no 2, which carries the subtitle of “quasi una fantasia”.Dawn – Chacony for Orchestra at Any Distance, written over the last few months for Rattle and his orchestra to perform in the Royal Albert Hall.
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