The family movie is cute, cuddly, and remarkably frank about female sexuality.
A 13-year-old girl undergoes a sudden physical transformation and darts into the nearest bathroom, burning with shame. “Go away! I’m a monster!” she sobs when her mother knocks at the door asking what’s wrong. Nervously, unsure if she’s intruding on her daughter’s privacy, the mom asks “Has … has the red peony blossomed?”Turning Red
, Pixar’s groundbreaking coming-of-age tale about a Chinese-Canadian middle-schooler caught between her parents’ rigid expectations and her growing sense of independence and selfhood. And the condition afflicting Mei-Lin Lee is not, as her mother Ming initially thinks, her first period, but her first instance of panda-fication.
. Or the fact it’s centered almost entirely around female characters, with the only major male figure being Mei’s gentle-souled father . The movie’s portrait of life as a Chinese-Canadian kid growing up in an immigrant community in turn-of-the-millennium Toronto is handled with a light, non-didactic touch. The animation seems at times to be influenced by older styles of 2D cartooning, and, in a few dream sequences, by classical Chinese art.
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