Perspective | The fine art of playing people off at award shows

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Perspective | The fine art of playing people off at award shows
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Perspective: Every year, Oscar winners struggle to contain the moment of a lifetime to 45 measly seconds.

The Oscar acceptance speech: Perhaps nowhere else in pop culture does the individual dream of Hollywood stardom collide so unforgivingly with the indifferent plod of show business. If you’re an actor, accepting an Oscar is the stuff of dreams. If you’re one of the show’s producers, it’s a source of great dread.— from a tight 44 seconds in 1960 to nearly two minutes by 2009.

Roberts is no Greer Garson ­— the best actress of 1943, whose acceptance speech held an audience captive at the Cocoanut Grove for seven minutes . Bill Ross, a conductor and orchestrator who served as music director and arranger for the Oscars telecast several times between 2007 and 2016, is credited for penning “Too Long,” a creeping nondescript instrumental that offered a polite but insistent musical gesture toward the wings. According to a 2012 interview with the American University radio station WAMU, Ross had to save face with his own kid, who’d pleaded with his father to quit cutting people off.

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