As Pearl hits UK cinemas, Ti West talks about collaborating with Mia Goth, and why he wanted to make a movie that was inspired by the craft of filmmaking
’s performance imparting a strange inner life to one of horror’s most memorable characters in a long, long time.
when Covid happened, so we ended up making it in New Zealand because that was the safe place to be. We hired a location scout and found an area that looked like Texas, spent money to build the farm, and off we went. And really, it just seemed like a shame to tear it all down [afterwards] – to build Texas for hundreds of thousands of dollars and then go home and sit on our asses. That seemed like a terrible plan.
Mia only has one speed; it’s like pedal to the floor. When you say ‘action’ she’s gone, and when you say ‘cut’ she comes back. If someone sneezed or the light flickered, it would kill it. So it was very much like, “If anyone’s got a problem, speak now. Because once the snowball starts rolling we can’t stop it.”
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