The director’s long-gestating satire, starring Lee Byung-hun, delivers Korea’s second-biggest local opening of 2025, providing some much-needed domestic energy to the country’s box office.
over the weekend, earning $4.6 million from Friday to Sunday. The film launched in the country on Wednesday on a little over 2,000 screens and has earned a healthy $7.5 million to date. The solid start — significantly better than the $2.
4 million Park’s previous featurebrought in during its first weekend in 2022 — marks the second-biggest opening by a Korean film in the home market this year, behind only Pil Gam-sung’s comedy-horrorNo Other Choice premiered at the Venice Film Festival in September, earning some of the strongest reviews of the festival during a notably strong edition. It makes its next majorshowing at the New York Film Festival next week. Neon will release the film later this year in North America.follows veteran paper mill manager You Man-su , a devoted family man who spirals after being laid off and discarded by a ruthless job market. Humiliated by failed interviews and mocked by corporate gatekeepers, he resolves to claw back dignity by any means necessary — a decision that sends him down a very Park Chan-wook-esque path of violence. With Son Ye-jin as his charismatic and resilient wife and Park Hee-soon as the contemptuous foreman who becomes his nemesis, the film could scarcely be more timely in the way it skewers the indignities of contemporary work culture, the fragility of masculine pride, and the absurd shapes the survival instinct must take in our late-capitalist, AI-encroached present day., a feature anime adaptation of Tatsuki Fujimoto’s best-selling fantasy manga, also opened on Wednesday and has earned $3.5 million . In third place,continued to draw audiences more than a month after its Aug. 22 Korean debut, adding just shy of $1 million for a massive $38.7 million local total .claimed fourth place for the frame, earning $673,000 for a three-weekend total of $7.5 million. Made on a microbudget but featuring an all-star creative team, the richly layered film tells the story of a son investigating the mysterious death of his mother during Korea’s economic boom of the 1970s.‘Anemone’ Review: Daniel Day-Lewis Makes a Commanding Return to the Screen in a Drama That Seldom Approaches His Earth-Shaking Force. We use vendors that may also process your information to help provide our services. // This site is protected by reCAPTCHA Enterprise and the Google‘Dancing With the Stars’ Ends One-Hit Wonders Night With a Four-Way Tie for Top of the Leaderboard: See All the Scores, Who Went HomeCrunchyroll Boss on the Blockbuster Implications of ‘Demon Slayer: Infinity Castle’: “It’s Now Undeniable How Big Anime Has Become”The Hollywood Reporter is a part of Penske Media Corporation. © 2025 The Hollywood Reporter, LLC. All Rights Reserved.
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