Park Chan-wook's latest film may be romantic, but that doesn’t mean he’s done with extreme violence. He spoke with alisonwillmore
so I could get rid of such impressions. There’s no,is about characters who conceal their emotions. In order for the audience to understand the hidden emotions that are going on, they have to observe the delicate changes of their facial expressions, which is why I got rid of elements like violence and nudity that might take them away from that. This was not me trying to say,changed how you approached female characters in your films.
but we never had the opportunity — there was no role she could play because she didn’t speak Korean. When we were writingI came in with ideas for the detective already, but for the female character, we were starting from a completely blank page.Her character has a particular fondness for historical K-dramas.
I wanted Seo-rae’s expressions to sound very classical and elegant, and I thought about how a Chinese person living in Korea would learn Korean. She would learn Korean by the book; she wouldn’t pick up colloquial terms. To reinforce this point, she watches period dramas, so it’s almost like hearing a foreigner who has learned English through Shakespeare plays.
I also heard a lot about how the film was quite long. Others told me that if we got rid of that translating bit, that could have made the film shorter.The frustration the audience feels parallels how Hae-joon is feeling. Seo-rae is so heated, and you really want to know what she’s saying. The AI-like voice is completely flat and dry, and I purposely chose a male voice so it feels more emotionally distant.
There has been a tendency in western media to group different Korean cultural breakthroughs together — to write about
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