Ludwig Göransson came up with a new strategy to hit the atomic notes required.
The Big Picture The score for a Christopher Nolan film is always one of the most noteworthy and eagerly anticipated components of his films, and for Oppenheimer, there was only one man for the job: Ludwig Göransson. This is not the first time that the duo has teamed up, as they worked together on Tenet, but it is yet another masterpiece in the prolific body of work that Göransson has composed over the last decade and a half.
The Music of Atoms Spinning and Splitting Göransson explained, "I think one thing that was unique for this, or a couple of things that were unique for the score, was obviously the strings and the violins, but also the performance of the violins and the strings. One of the first things that Chris showed me was this... I went into a visual effects meeting at IMAX, and I saw some of the visuals that he had been working on with Andrew Jackson, and you see the spinning of the atoms.
"It was also kind of scary because, how do I get that music to sound like that? Because I know I wanted to work with tempo, and I know I wanted to record it live and play it with musicians, but how to get those tempo increasements increasing like that, doing it in one take, in one flawless take, that was the challenge.
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