On Intimacy and Self-Doubt: Paul Mescal and Andrew Haigh in Conversation

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On Intimacy and Self-Doubt: Paul Mescal and Andrew Haigh in Conversation
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From the set of Gladiator II, Paul Mescal joins director Andrew Haigh for a conversation about their heart-rending film All of Us Strangers. “I’ve tried to capture intimacy a lot, but there is something special going on here,” says Haigh

I’m learning, though, that there’s only so long I can continue going at this rate before it starts to take away from my life – but right now is the time to put the foot down and really work hard. AH: And now you’re doing your first huge movie. PM: Gladiator comes across your desk and there’s no way you say no to it. But with this scale of film, and to work with Ridley Scott, it’s a no-brainer. Up until this point there have been very few larger films that remotely interested me.

It honestly reminds me of sport in a way that is really satisfying. AH: Plus you get to dress up as a gladiator. PM: We left that point out. That’s the best bit. AH: You’re going to make a lot of people very happy! Grooming: Josh Knight at Caren using SAM MCKNIGHT and ARMANI BEAUTY. Set design: Staci Lee Hindley. Lighting director: Max Tomlinson. Lighting assistants: Louise Oates and Jess Hand. Styling assistant: Storm Foster. Tailor: Georgia Smith.

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