Not in Venice? Catch works from Simone Leigh’s crowd-favorite pavilion when it travels to museums across the U.S. starting in 2023:
Simone Leigh’s U.S. pavilion is drawing lines around the courtyard during this week’s Venice Biennale preview. But those who don’t manage to catch the show-stopping presentation in the Giardini will have several other chances.
The ICA Boston’s chief curator, Eva Respini, who organized the Venice pavilion, will curate the traveling show. It spans 20 years of Leigh’s practice.. Courtesy the artist and Matthew Marks Gallery. Photo by Timothy Schenck. © Simone Leigh. On view is a towering bronze female figure with a disc in place of a head ; a statue of a washerwoman at work that harkens back to stereotypical 19th-century postcards used to promote tourism in Jamaica; and the artist’s first ever portrait, of the writer Sharifa Rhodes-Pitts.
The pavilion, titled “Sovereignty,” also presents a 26-minute film by Leigh and Madeleine Hunt-Ehrlich that traces the creation of the works on view, with close-cropped shots of the artist crimping, braiding, and stepping on clay as if it were grapes being turned into wine. The film ends with a long shot of Leigh burning a papier-mâché and raffia version of a ceramic work,, on view in an earlier gallery.
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