Newcomers Flat; ‘The Last Black Man in San Francisco’ Crosses $2M: Specialty Box Office

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Newcomers Flat; ‘The Last Black Man in San Francisco’ Crosses $2M: Specialty Box Office
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The dog days of summer have arrived early for the specialties, which have only had some success in peeling away audiences from studio fare. New limited release titles landed slowly this weekend, wi…

The dog days of summer have arrived early for the specialties, which have only had some success in peeling away audiences from studio fare. New limited release titles landed slowly this weekend, with Sony Pictures Classics Toronto ’18 documentarya competitive all-female sailboat crew that took on the Whitbread ‘Round the World Race sailed into six New York and Los Angeles ports, grossing $50,715 for an $8,453 per theater average. as it heads to more cities.

“Both are stories not [previously] seen on the [big screen] before, yet are very timely,” he said. “Both engage the audience in a major, major way. The word of mouth from all the [] screenings we’ve had from Toronto through now have had a profound effect. I think it foreshadows a very successful release.”

Maiden will set course for Chicago, San Francisco and Washington, D.C. next followed by about a dozen more cities after the 4th of July weekend. from ArtAffects Entertainment had the widest opening among the specialties, launching in 205 theaters grossing an estimated $425K in the three-day, averaging $2,074., meanwhile, opened with an exclusive run at IFC Center in New York for a $4K three-day estimate. The Locarno Film Festival Piazza Grande Award-winner will open at the Nuart in West L.A.

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