New exhibit in New York pays tribute to Dorothy Liebes, who popularized blingy, colorful textiles

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New exhibit in New York pays tribute to Dorothy Liebes, who popularized blingy, colorful textiles
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New York City has opened a new exhibit dedicated to Dorothy Liebes, a weaver and designer who popularized color, textile, and bling for decades in the 20th century.

Weaver and designer Dorothy Liebes helped define the look and feel of 20th century luxury, from first-class airline seats to movie backdrops, hotel suites to bathing suits, metallic wallpaper to car upholstery.with whom she worked, including Frank Lloyd Wright, Henry Dreyfuss and Donald Desky, her fame has dimmed since her death in 1972.

"A Dark, a Light, a Bright: The Designs of Dorothy Liebes," which organizers say is the first exhibit devoted solely to her in over 50 years, opened in July and runs through Feb. 4, 2024. The title is taken from a Liebes rule for designing textiles, which produced vibrant results, particularly when viewed from today’s tendency toward neutrals and muted shades.

In addition to her design expertise, Liebes could communicate it. She frequently appeared on television and in magazines, and mentored young weavers and designers in her studios in California and, later,A collection of textiles is seen as part of"A Dark, A Light, A Bright: The Designs of Dorothy Liebes," an exhibit that runs through Feb. 4 at the Cooper Hewitt Smithsonian Design Museum in New York.

She was equally enthusiastic about infusing her work with flashes of bling, which she saw as something essential:"Glitter is what the sun does to grass, what light does to nature." The exhibit also showcases her contributions to creating dazzling public spaces on a budget by combining handwoven and power-loomed textiles. There are saturated brilliant colors and extensive use of metallics. Examples are the Persian Room of the Plaza Hotel ; the Marco Polo Club at the Waldorf Astoria; and the Usonian Exhibition House, built on the site where the Guggenheim Museum now stands.

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