As Netflix Films chairman, Dan Lin said he wants the streamer to prioritize more mid-budget fare but avoid working with directors who want theatrical.
Jon Stewart’s ‘Daily Show’ Gets Surprise Visit From Olivia Munn In Sendup Of Stephen Colbert’s Goodbye Week: “No One Cares If You Leave” John Oliver Derides Freedom 250 & Performer Cancellations: “Stacked Lineup Of People That You Haven’t Thought About Since 2009”said he wants the streamer to prioritize more mid-budget fare but avoid working with directors who hold steadfast to a theatrical opening.
“There is a group of filmmakers who still want theatrical. Those are filmmakers that we’ve accepted we just won’t work with,” he told“Because I have such a huge slate, my job is very different from other studio chairmen’s jobs,” the executive producer said.
“I can’t impose my taste on the slate. But I can impose a way of making movies. I can impose a way of how we want to work with filmmakers. I think people on the outside are pretty clear on what I’m going for: making someone’s favorite movie in a specific genre, focusing on variety and quality and making Netflix the best place for filmmakers to work.
”Meet Miyako's Toph Beifong - Aang's Earthbending Teacher In Season 2 Of Netflix's Live-Action 'Avatar: The Last Airbender' Rocks New Featuretteas a prime example of the types of movies he aims to prioritize making. , Netflix has somewhat flirted with theatrical.
The streamer garnered its first No. 1 at the box office with the two-day opening forsequel film, opening for two weeks on Thanksgiving before moving to the platform Dec. 23, a somewhat similar strategy to the rollout for Rian Johnson’sParamount+ Lands ‘Cop Land’ Series From James Mangold & Robert LevineComments On Deadline Hollywood are monitored. So don't go off topic, don't impersonate anyone, and don't get your facts wrong.
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