Todd Haynes’s ravishing new drama, ‘May December’, tells the story of a disgraced tabloid fixture, played by JulianneMoore, and the movie star who’s preparing to play her, embodied by NataliePortman. Read the Vogue review in full, here.
so juicy, though, is that Elizabeth is not the villain – indeed, no one has the moral high ground. Gracie is emotionally wrought and fragile, but her quiet, long-standing manipulation of Joe is also clear. She chides him just as she does her children; and, when he questions the origins of their love, insists that he was the one to seduce her. “Who was in charge?” she screams, proving, inadvertently, that she always is.
In Melton’s hands, Joe is equally complex. There’s something stunted and boyish about the way he obeys Gracie’s instructions and apologises for every minor misstep, but he isn’t an angel, either: hunched over his phone on the sofa, he appears to be engaging in an emotional affair with a woman closer to his own age, even though he knows that it would destroy Gracie if she ever found out.
The off-kilter nature of both performances is crucial to the film’s success, transforming what could, under the gaze of another director, have become a grim and self-important trudge into a fleet-footed romp that is, at points, hysterically funny – almost in its deployment of dramatic music and soapy revelations. It’s also gorgeously shot, lingering on the hazy sunshine and ominous weeping willows of its stifling Southern setting as the tension continues to rise., however, is that it resists providing easy answers to the thorny questions it poses. The second someone provides a morsel of information that could shed light on Gracie’s behaviour, she undermines it.
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