George Strait’s 31st studio album, the feel-good “Cowboys and Dreamers,” marks five decades of record releases. It's a titanic career for a Texas troubadour whose greatest ambition seems to have always been the same: Make pretty, plain-spoken songs about life’s true pains and pleasures, and listeners will find their own resonance within them.
marks five decades of record releases; a titanic career for a Texas troubadour whose greatest ambition seems to have always been the same: Make pretty, plain-spoken songs about life’s true pains and pleasures, and listeners will find their own resonance within them.
Across 13 songs in 47 minutes — his first collection since 2019’s “Honky Tonk Time Machine” — Strait plays to his traditionalist country style without ever sounding derivative of his former records. That’s the beauty of his particular songwriting: The songs on “Cowboys and Dreamers” could exist at any point in time across his career, not in a lazy atavistic fashion, but utilizing nostalgia as an effective art medium.
There are standouts for every mood across “Cowboys and Dreamers,” best heard through an old truck’s speakers while driving down an empty back road: The joyful single “Honky Tonk Hall of Fame,” featuring Chris Stapleton, a cover of Privacy is required for the tear-jerking ballads with pedal steel that sounds like crying: Like on “The Little Things,” “People Get Hurt Sometimes,” “The Journey Of Your Life” or, most severely, “Rent,” written by Guy Clark and Keith Gattis, that begins with Strait offering a spoken-word tribute to the late Gattis.
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