Beabadoobee, the effortlessly cool English alt-pop performer, has released her third studio album, “This Is How Tomorrow Moves,” produced by Rick Rubin. The Associated Press’ Ron Harris writes that beabadoobee’s latest has some excellent songs but is saddled with a fair bit of forgettable filler.
This cover image released by Dirty Hit Records shows “This Is How Tomorrow Moves” by Beabadoobee. This cover image released by Dirty Hit Records shows “This Is How Tomorrow Moves” by Beabadoobee. This cover image released by Dirty Hit Records shows “This Is How Tomorrow Moves” by Beabadoobee. This cover image released by Dirty Hit Records shows “This Is How Tomorrow Moves” by Beabadoobee. This cover image released by Dirty Hit Records shows “This Is How Tomorrow Moves” by Beabadoobee.
Beabadoobee, whose real name is Beatrice Kristi Laus, worked with Rubin in his legendary Shangri-La studio in Malibu for the 14-track aural exploration — a far cry from the London bedroom where she started her career. The album covers themes of self-acceptance and personal growth. While the songwriting is smart, the delivery feels a bit disconnected and vexed. Often, her voice is too slight against the sounds around her.The good stuff begins on “One Time,” “Tie My Shoes,” and “Girl Song.
“Girl Song” could be brushed aside as a low-rung soft piano ballad, but it deserves a deeper listen. It’s slow, it’s introspective and it is guaranteed to unleash a tear or two when beabadoobee sings at the end of the chorus, “And there’s something I can’t say in an ordinary way,” leading to the refrain: “Day like no other, and just another bad day.”
This is an OK album with some excellent songs and a fair bit of filler. At the end of it all, beabadoobee remains a musical force to be respected.
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