Joseph Gordon-Levitt steals the show in this Irish musical drama
, this more formulaic effort centers on the fraught relationship between wild-child single mum Flora and her troubled teenage son Max . She loves her glasses of white wine and isn’t above filching a 10-euro note when the opportunity presents itself; he sulks a lot while glued to his laptop, just an infraction away from a stint in juvenile hall. The two angrily spit abusive epithets at one other in everyday conversation, behaving like rancorous siblings rather than parent and child.
A slightly worn acoustic guitar retrieved from a dumpster is the movie’s deus ex machina, albeit one that’s more predictable than not in Carney’s modest script.
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