Moschino Spring 2025 Ready-to-Wear Runway, Fashion Show & Collection Review: Adrian Appiolaza unleashed a jumble of fashion tribes, united in wry humor.
with varying fashion tastes, a switch from a recent trend of parading a memorable silhouette, and instead delivering a single, unmissable fashion message.is one of those designers with range and lots of ideas – perhaps a few too many – and he hung them all out on the Moschino runway like the bedding, towels and undergarments clipped to the clotheslines that criss-crossed the show set.
He opened his display with bustier gowns draped and wound from white bedsheets in one of many winks to late founder FrancoIn rapid succession, Appiolaza cycled through punk, grunge, bourgeois ladies, cowboys and bikers, not forgetting such Moschino-isms as polka dots, Smiley faces, logo belts and playful references to Italy, like the Margherita pizza badges pinned to the show notes.
There were IJBOL moments, such as when a little black dress strolled out quivering with plastic tagging barbs instead of fancy feathers. The model’s limbs were peppered with colorful price stickers, perhaps a cheeky commentary on hyperinflation in luxury. A puffer jacket composed of a jumble of mismatched throw cushions coaxed a smile, as did a trompe-l’œil. trench coat etched in blue ballpoint pen on a white T-shirt dress.
During a preview, Appiolaza unfurled all his references and explained how they connect to each other, noting the opening bed-sheet looks linked to the finale of his previous show.The Argentinian designer drew on his formative fashion years in London, gorging on The Face and i-D magazines as they documented Ray Petri’s Buffalo style, and other emerging subcultures.
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