When the British filmmaker Mike Leigh was 6, his father, a doctor who opposed his son becoming an artist, told him to quit drawing pictures of people. In a way, Leigh never stopped.
Mike Leigh , writer/director of the film “Hard Truths,” poses for a portrait during the Toronto International Film Festival, Saturday, Sept. 7, 2024, in Toronto . Mike Leigh , right, writer/director of the film “Hard Truths,” poses with cast member Marianne Jean-Baptiste during the Toronto International Film Festival, Saturday, Sept. 7, 2024, in Toronto . Mike Leigh , writer/director of the film “Hard Truths,” poses for a portrait during the Toronto International Film Festival, Saturday, Sept.
LEIGH: That’s an interesting question because it won’t surprise you if I say there isn’t anything I’m not interested in when it comes to human behavior. If you mean that it’s something I identify with, yes, I do. But it would be untruthful if I said that’s what I had in mind. In fact, it probably never occurred to me until this conversation that there are bits of me in the thing you’re talking about. What is for sure is that, like everybody, I know Pansys of one kind or another.
AP: Many scenes capture how people, in stores and parking lots, respond to Pansy’s irritability. The same could be said of audiences getting to know a difficult protagonist. Did you consider how moviegoers would respond to her? AP: You’ve spoken about the difficulty of getting a film off the ground the way you make them. Has it gotten harder?
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