Megalopolis Is a Problematic, Massive Flop. You Might Just Love It Anyway.

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Megalopolis Is a Problematic, Massive Flop. You Might Just Love It Anyway.
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Just like Coppola ran out of time to make Megalopolis a great film, you’re running out of time to see it in the theater.

Nathalie Emmanuel and Adam Driver 's star power does not save Megalopolis from being an mess.},{ "name":"Editor Picks", "component":"17105533", "insertPoint":"4", "requiredCountToDisplay":"1", "watchElement":".

Oh, and Megalon can also repair flesh and bone damage, though there is an awkward period during which the healing body part consists of yellow metallic PlayStation 3-cutscene-quality computer animation surfacing. The urge becomes irresistible the more one knows about the history of the project, which Coppola first conceived in the late 1970s and which he has started to develop but then abandoned at various stages for various reasons over the decades since.

Also in the movie: a nuclear Russian satellite floating over the planet like a gun over a mantel, Cesar repeating Hamlet’s entire “To be or not to be” monologue for no apparent reason other than to show off, a recitation of three different Marcus Aurelius quotes at a point in the movie when you’ll be involuntarily twirling your fingers in the “wrap it up” gesture, the death of Cesar’s wife , justly protesting citizens whipped into a fascist riot, treacherous yet dull machinations over control...

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