Matt Reeves Explains ‘The Batman’ Ending: Do Not Expect to See [SPOILER] in Another Movie

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Matt Reeves Explains ‘The Batman’ Ending: Do Not Expect to See [SPOILER] in Another Movie
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SPOILER WARNING: Do not read if you have not seen “The Batman,” currently playing in theaters. This story discusses a major spoiler at the end of the movie. When director Matt Reeves sa…

) found his footing as a costumed vigilante, he would inspire his eventual rogues gallery to take on their equally larger-than-life personas. Over the course of the film, that transformation commences for both villains — Paul Dano’s Riddler and Colin Farrell’s Penguin — as well as Batman’s quasi-partner in crimefighting, Selina Kyle , as she becomes Catwoman.

“What is it they say?” the inmate says. “One day you’re on top. The next, you’re a clown.” As the camera pulls back, Riddler and the inmate dissolve into laughter and a new, wicked friendship is born., is credited as “Unseen Arkham Inmate.” But any astute Batman fan — or, for that matter, Batman neophyte — will know who this inmate is meant to be.

“I thought he would be really insecure about this and he’d probably want to find some way to get into the [Riddler’s] mindset, like in ‘Manhunter’ or ‘Mindhunter’ — this idea of profiling somebody, so you can predict his next move,” says Reeves. Reeves smiles. “What he’s really doing is getting into Batman’s head,” he says. “And [Batman] is resisting this idea violently. And so that’s what that scene was. It was a scene to unsettle him.”

“Because when Selena is saying to him, ‘This place is never going to change,’ you hadn’t seen that, in fact, trouble was already brewing,” Reeves says. “You kind of felt like, well,It changed the emotional stakes. It didn’t feel the same.” Reeves also didn’t like losing the final beat of the Riddler’s arc, in which, after a lifetime of neglect and isolation, he finally finds a compatriot — albeit a murderous psychopath.

“It’s like ‘Phantom of the Opera,'” Reeves says. “He has a congenital disease where he can’t stop smiling and it’s horrific. His face is half-covered through most of the film.” While it’s barely perceptible in the movie, Marino’s makeup evoked Veidt’s, giving Keoghan an unceasing rictus grin. “I didn’t want to call him the Joker,” Reeves says. “I wanted him to be this kind of lean forward thing for people who were fans to go like, ‘Oh my god, I think that’s the Joker. I think they’re doing the Joker.'” But Reeves also knew that if he announced Keoghan’s actual screen credit — “Unseen Arkham Inmate” — it wouldn’t take very long for fans to guess what he was up to.

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