'There’s an element of manic pixie dream girl to her, a woman that’s been filtered through a distinctly male perspective. She’s a glowing, beautiful, blonde idea — not a person.'
, her last film released posthumously with her name in top billing. Nor is she a woman in love with her new husband, director Roman Polanski, or a young mother-to-be, pregnant with her first child and ecstatic about starting a family. Instead,
premiere. Asked by a female journalist why Robbie had so few lines, Tarantino appeared flustered and annoyed, answering that he rejected her ”hypothesis.” He later offered some clarification on the decision, and announced that he was adding two minutes of Tate dialogue to the final cut.
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