THR looks at the making of ThePoweroftheDog and how Jane Campion stayed on track, despite an extended COVID shutdown:
In late 2019, the first female filmmaker to receive the Cannes Palme d’Or — for 1993’s, which also landed her two Oscar nominations, for best director and original screenplay — found herself at a San Francisco-adjacent rodeo with her producer Tanya Seghatchian. “Maybe rodeos aren’t quite what they used to be,” laments Campion. “We kept being told to sit down.
“I found myself suddenly too grand to go and lean over the ring,” remembers the director, struck by the inherent ridiculousness of the proposition she would be shouting at the passersby: “Come over here! Want to go to New Zealand?” The task was left to Seghatchian, who approached riders after they had dismounted their horses, asking for a chat.
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