Making Hits With Chappell Roan and Olivia Rodrigo: Dan Nigro’s Creative Secrets

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Making Hits With Chappell Roan and Olivia Rodrigo: Dan Nigro’s Creative Secrets
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Chappell Roan and Olivia Rodrigo's secret weapon, Dan Nigro, opens up about his studio secrets.

When Atlantic Records dropped Chappell Roan, Dan Nigro saw it as an opportunity, starting his own imprint to put out her music.’s emo-inflected ’00s indie band, As Tall As Lions, always hovered on the edge of mass success, but Nigro has since decided they were missing one thing: a great producer. “I always wish that I had somebody when I was younger that just helped shift me a little bit,” he says. “Like, ‘That’s cool, but you should listen to this Neil Young song.

Nigro, who’s currently working on Roan’s next album, as well as with Conan Gray, is still looking for new artists — and insisting on the importance of long-term artistic development. “When you look at careers that feel legendary over 20, 30 years,” he says, “those careers weren’t built off a couple of hit singles.”rock music. It’s using similar chords. A song is a song and then you dress it up with production. You could dress it up with a guitar. You could dress it up with a Juno synth. .

But because we have computers now, it’s harder for bands to form. When I was 16 or 17, the only way to make music was to get together with a drummer and a bass player. Whereas kids today can go, “Oh, I want to make a song and I want to make it sound good. I don’t need other people to do that.” People are just less inclined in general to get together to make music, cause you don’t have to, and therefore it just makes bands happen.

Chappell Roan was dropped from Atlantic Records after they heard “Pink Pony Club” — were you stunned they couldn’t hear what they had? “Femininomenon” is such a perfect opening track for Chappell’s album because it encapsulates both sides of her — pensive singer/songwriter and incredibly fun pop artist — in the course of one song.

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