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Homeward bound on a road trip to rediscover yourself? Humbled by the passage of time? The singer-songwriter's third studio album is your soundtrack., I likened it to the kind of music worthy of a wholesome, early aughts romcom—one that would see a 30-something Sandra Bullock losing everything only to rediscover it back in the rural hometown she’d previously fled. Whether I was describing the premise ofmatters little.
In a sit down with Apple Music ahead of the album’s April 12 release, Rogers described the ten tracks as “” and indeed, each one seems a sonic stop along her journey to the end of her twenties. The album opens with “It Was Coming All Along,” a meditation on the aches of change—the micro to macro . She’s fine now, she concludes. That this is whereembarks is an indicator of its final destination: acceptance, but more anything, emotional enlightenment.
Tonally, the album then takes a turn where Rogers reexamines the past in the rearview mirror. First, she offers a middle finger to a failed relationship on “The Kill,” in which she recalls driving upstate with an old lover who was “halfway out the door.” And on the gut-wrenching “I Still Do” she offers grace to another relationship long gone. “Love is not the final straw/But it’s always a reason to risk it all/Oh, it’s true, at least the way that I loved you.
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