This article examines David Lynch's 1984 adaptation of Frank Herbert's Dune, highlighting its unique and sometimes bizarre approach to the source material. It compares Lynch's vision to Denis Villeneuve's recent, more grounded take on the story, noting the similarities to Star Wars and other sci-fi films of the era.
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The portrayal of the tyrannical Harkonnens is particularly egregious, their ludicrous bright orange hair and penchant for the theatrical ensuring they never convince as the villains of the piece. Frank Herbert's original novel — a story so dense with lore that it comes with its own glossary — is harder to adapt than most, and it's worth noting that both Lynch and Villeneuve's retellings are liable to leave"Dune" newbies a tad confused. Indeed, Villeneuve's much-lauded duology arguably fails to convey why the spice/melange found on Arrakis is such an intergalactic big deal.
Ultimately, however, the biggest difference between the two adaptations is Villeneuve's luxury to tell Herbert's story over five hours. Running at a mere 130 minutes, the 1984 movie is always in a rush, particularly in the final act where Paul's rise to his prophesized destiny as Kwisatz Haderach proceeds at disconcertingly breakneck speed.Although Lynch's film has passed into Hollywood infamy, it gets plenty of things right.
Dune David Lynch Denis Villeneuve Sci-Fi Fantasy
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