Low reach rare highs on challenging, gorgeous 'Hey What.'
The lyrics to the album’s lead single, “Days Like These,” feel like they could be diary entries from the past year and a half of pandemic-related anxiety, as the couple sings obliquely about feeling frustrated and stuck, allowing their voices to rise and fall until Sparhawk’s guitar turns to loud static, crushing the melody. The gist is, they’re living in “days like these,” and they’re making do however they can.
Like their last two albums, the couple teamed with producer BJ Burton , who pushes them into artier realms onwith fluttering noise and damaged guitar production, but the rays of sunshine, the moments of musical bliss, arrive more frequently this time, making for a much more engaging album.
— but here, they work better as vestiges so the challenging production can force them into something new. It’s engaging, inspirational, uncomfortable, and terrifying, depending on the minute. On “I Can Wait,” Sparhawk and Parker harmonize over strobing guitar about making mistakes and feeling afraid of some existential price they must pay, but they make up for it by throwing out a life preserver to anyone listening in: “If I could … I would give you a break, I could carry the weight.” Meanwhile, Sparhawk’s guitar sighs in the background.
On “The Price You Pay,” Parker and Sparhawk sing, “I know what they want, to forget the hurt/But either side you’re on, you get what you deserve,” and the guitars, orchestral strings, and feedback build tension as the song creeps on. “I know it sounds absurd,” they sing, before the track coagulates into an eerie, horror-movie dance-rock soundscape that lasts a few minutes.
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